KALIGRAFI PROSPEK MASA DEPAN

Kaligrafi Islam Indonesia sejak dari tanah asalnya merupakan salah satu parameter peradapan yang berkembang seirama dengan tumbuh dan berkembangnya agama Islam. Dan Seni Kaligrafi Islam Indonesia merupakan salah satu parameter eksistensi peradaban (tamaddun) Islam di Indonesia dan di beberapa Negara Asean. Di Indonesia Seni Kaligrafi Islam merupakan ciri normatif Islam yang dalam bentuk fisik kulturalnya membawa serta perwujudan tradisi dan budaya lokal Nusantara. Dengan tetap pada ciri-ciri seni Islam, maka Seni Kaligrafi hendaknya memegang ketinggian estetika dan bersifat ilahiyah.

Oleh karena itu, berkat keagungan al-Qur’an dan indahnya menggores dan melukis dalam berbagai bentuk dan media yang di ilustrasikan oleh setiap pencinta seni kaligrafi. Maka banyak manfaat dan hikmah yang dapat dipetik dari “kekuatan lentik-kan tangan” tersebut ketika goresannya telah rampung.

Arabic Calligraphy

Islamic calligraphy (calligraphy in Arabic is Khatt ul-Yad خط اليد) is an aspect of Islamic art that has evolved alongside the religion of Islam and the Arabic language. Arabic calligraphy is associated with geometric Islamic art (arabesque) on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions.

Ali bin Abi Tholib RA say :

اَلـْخَطُّ مَخْفِيٌّ فِي تَعْلِيْمِ اْلأُسْـتَاذِ ، وَقِوَامُـهُ فِي كَـثْرَةِ اْلمَشَقِ ، وَدَوَامُـهُ عَلى دِيْن اْلإِسْلاَمِ

Instead of recalling something related to the spoken word, calligraphy for Muslims is a visible expression of the highest art of all, the art of the spiritual world. Calligraphy has arguably become the most venerated form of Islamic art because it provides a link between the languages of the Muslims with the religion of Islam.

The holy book of Islam, al-Qur'an,

has played an important role in the development and evolution of the Arabic language, and by extension, calligraphy in the Arabic alphabet. Proverbs and passages from the Qur'an are still sources for Islamic calligraphy.

There was a strong parallel tradition to that of the Islamic, among Aramaic and Hebrew scholars, seen in such works as the Hebrew illuminated bibles of the 9th and 10th centuries. Islamic calligraphy, equally known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. This art has most often employed the Arabic script, throughout many languages. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an. Throughout Islamic history, the work of calligraphers was collected and appreciated. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main forms of artistic expression in Islamic cultures. Arabic, Persian and Ottoman Turkish calligraphy is associated with geometric Islamic art (the Arabesque) on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.

Calligraphy in one momentum

Islamic calligraphy sejak dari tanah asalnya merupakan salah satu parameter peradapan yang berkembang seirama dengan tumbuh dan berkembangnya agama Islam. Dan Seni Kaligrafi Islam Indonesia merupakan salah satu parameter eksistensi peradaban (tamaddun) Islam di Indonesia dan di beberapa Negara Asean. Di Indonesia Seni Kaligrafi Islam merupakan ciri normatif Islam yang dalam bentuk fisik kulturalnya membawa serta perwujudan tradisi dan budaya lokal Nusantara. Dengan tetap pada ciri-ciri seni Islam, maka Seni Kaligrafi hendaknya memegang ketinggian estetika dan bersifat ilahiyah. Oleh karena itu, berkat keagungan al-Qur’an dan indahnya menggores dan melukis dalam berbagai bentuk dan media yang di ilustrasikan oleh setiap pencinta seni kaligrafi. Maka banyak manfaat dan hikmah yang dapat dipetik dari “kekuatan lentik-kan tangan” tersebut ketika goresannya telah rampung.

Imaduddin Yaqut al-Musta’simi (Kaligrafer Dunia di Akhir Dinasti Abbasiyah, wafat tahun 1298 M) melihat bahwa hakikat keindahan khat adalah apa yang dapat dirasakan di dalam hati dan pikiran, meskipun untuk mencapai klimaks keindahan (luar) segala peralatan telah digunakan seperti kalam, dawat, cat atau media lainnya. Sehingga tidaklah mengherankan bagi setiap pencintanya jika dengan hasil olah tangan tadi memberikan sebuah kesejukan dan ketenangan hati atau jiwa bagi mereka. Kemudian secara khusus Imaduddin Yaqut al-Musta’simi kembali mengungkapkan bahwa Kaligrafi Ibarat sebuah Arsitektur Rohani (Handasah Ruhaniyah). Meanwhile Drs. D. Sirajuddin AR, M. A. declares for that calligraphy art or khat constitutes painting one beauty perceive, mind ambasador, counselor collects thoughts, gnostic weapon, your tamer in dispute, distance speaker goes away, and secret depositor, even problem variety treasury life. (Sedangkan Drs. D Sirajuddin AR, M.A menyatakan bahwa seni kaligrafi atau khat merupakan lukisan sebuah kecantikan rasa, duta akal, penasihat pikiran, senjata pengetahuan, penjinak saudara dalam pertikaian, pembicara jarak jauh, serta penyimpan rahasia, bahkan khazanah rupa-rupa masalah kehidupan). Squarely if we behave calligraphy developing at Country with able, therefore Islamic calligraphy art developing at Archipelago in two pretend last decades find its momentum. How come, it can be seen of progressively been hankered its calligraphy by our society. While are we visit to friend place and our kin kins, therefore on its guestroom appears “ Calligraphy ”. (Secara jujur apabila kita sikapi perkembangan kaligrafi di Tanah air dengan bijak, maka perkembangan seni kaligrafi Islam di Nusantara dalam dua dekade terakhir seolah menemukan momentumnya. Betapa tidak, hal ini dapat dilihat dari semakin diminatinya kaligrafi oleh masyarakat kita. Ketika kita safari silaturrahmi ketempat-tempat rekan dan sanak famili kita, maka pada ruang tamunya terpampang “Kaligrafi”.)

preach to utilize aesthetical arabic calligraphy

After sholat subuh's performing congregates at al's mosque local government sincere sukabumi's city, reporeter is city news given by information by Kabag Kesos Deden Solehudin, S. Ag, MM, that Sukabumi's Mayor H. Mokh Muslikh Abdusyukur, SH, M. The will formalize diklat's uncovering calligraphy at Lemka who gets address at Karamat's sub-district district Quill mountain. Duly hits 9.00 on the fifteenth 20th August 2006 mayors was attending at activity place welcomed by K.H Sirojudin, M. Ag is Lemka's lead with santri of a variety peloksok is country. For year 2006 pesantren lemka starts to refuse santri,

why is that thing happens since one that usually santri that just total vicinity 20 person, but with a prove Lemka's success in various ivent musabaqoh reaches for success, so of all Indonesia wants to bail knowledge from lemka what does its amount up to 82 person. Reported by committee chairman, that kepercayan of this nation has to be petted by obviously, that santri perceives betah studying at lemka, and utuk's cozy studying writes and mushaf al qur an's decoration. Said by K.H. Sirojudin, M. Ag that Lemka's Location at well-matched Karamat, since nature panorama really backs up to menumbuhkan infirasi of all khotot and khitoh develops kreasi and motivation writes al-quran one good manners and really terminological writing method. Chairman of Lemka have calligraphy art motto is da whew bilquas, one that matter via art will can develop al qur an's content content because in full day santri was inured to letter qur an with full imagination and infirasi one that beautiful with carrying out of and ternih's soul to know chastity and supremacy God SWT. More said by lemka's lead, that calligraphy art besides mission whew da also expected available economic development, it as diilustrasikan at Regency Correct Bandung it at jelekong was effloresce calligraphy production everyday it don't less than 2 trucks, so gives benefit to society welfare around in production form. Of that illustration is forwards expected will emerge at Karamat an area calligraphy art development that accomplish marketing and appetite calligraphy lover. Therefore Lemka's Development Plan will make network via collegiate those are on all Indonesia. It as one modelled by reigning and preceding in develop region and guardian develop islam noise. One thing that withdraw from lemka's lead information that pesantrennya have can as unifier bangasa Indonesian, since besides studying place also utilitarian too as bureau of couple among hotot and hototoh what does tighten NKRI via traverses marriage that diridhoi God SWT.

calligraphy aesthetical

“Study Calligraphy tech, for person what does get education ” “Since that Calligraphy no other instead of decoration divides intelligentsia ” “One presumably you have asset, therefore your Calligraphy is decoration for your ” “But if you need, therefore Calligraphy is one carefully effort source ”